Great set with a multitude of highlights. It should be noted that Blake's voice is positively trashed from the start, and gets progressively worse as the set continues - with interesting results. The band opens with a handful of relatively new songs (read: post-Unfun), and when they finally play some old material in the form of Fine Day, the crowd goes nuts. Friends Back East is played with much energy. Want is another crowd-pleaser... and watch out for the surprised look on peoples' faces when they hear the different lyrics in the chorus; they rectify the situation themselves by belting out the original chorus at the end of the song, singing in unison and creating backing vocals that sound as powerful as Blake's own voice. Another great moment occurs in the beginning of Kiss the Bottle when Chris makes a faulty entrance, and Blake and Chris communicate with body language to get back on track. Before Parabola, Blake makes a note that the song was written as a reaction against accusations of their being a "popcore" band. Equalized is incredible. Blake gets someone from the crowd to step up to the mic, after which the band begins with a mellow, pretty interpolation of the main riff (as in the 21 Mar. 1992 performance). The crowd member starts singing the song, with Blake not even attempting to do any vocals; he is soon joined three other crowd members, who perform the entire song together sans Blake. Blake does attempt the next song, Shield Your Eyes, but his voice starts to give out towards the end - thus resulting in the Equalized crew taking over the rest of the vocals in the song. Next is a fine version of You Can't Afford Me, which Blake introduces as the "our angry song." This song is filmed with a strange slow-motion/low frame rate effect, which is cheesy but fitting somehow. After Chasing the Wild Goose, Blake notes, "I'm gonna die" in reference to his voice. The last song of the show, Tour Song, is not present on my tape.

My copy of the show is sourced from the "Punk Rock Videos" dub, which comes with the 22 Sep. 1994 show tacked onto the tape. The picture quality is good and clear. However, the angle is not ideal; although the taper is close to the front, he faces Chris's back and Blake's side. The sound is passable, but the guitars and vocals are not as loud as they should be.