A decent show which took place while the band was in town recording 24 Hour Revenge Therapy with Steve Albini; in fact, according to Blake, they were slated to finish recording the album on the very next day. The video begins with a shot of the band setting up and listening to the venue's background music for a good five minutes. The place is extremely small and cramped, and to make matters worse, there's an eight-year-old girl up front. Consequently, a V.M.L. security guy stands onstage for most of the show. Blake's explanations of the songs are amusing. Chesterfield King is "an irresponsible song that romanticizes a bad habit," while Boxcar is three things: a love song, a song about shitty things people do to each other in the punk scene, and an homage to trains. The Boat Dreams From the Hill is identical to the 20 Mar. 1993 version. The last two songs make up the encore; Blake seems somewhat reluctant to continue playing, but tells the crowd that he'll oblige them if someone hooks him up with valium, since he's been having trouble sleeping. After Caroline, Blake tells the crowd that that was the last time the song would be played on the tour (not true!). Towards the end of the show, Blake tells the crowd to go to the Born Against and Los Crudos show on the 29th.

The video quality is pretty good. However, the filmer doesn't have the best angle. He stays on Chris's side of the stage for most of the show, which would be a good thing except for the fact that he rarely looks at Chris for more than a few seconds at a time. The security guard ends up blocking the filmer's view of Blake for most of the show, so the viewer is treated to extended shots of the guard's backside. Adam, however, can be seen quite clearly for most of show. Sound-wise, the video is very bass-heavy on account of the filmer being close to Chris's amp. Thus, some of the bass parts that are obscured on the studio recordings are clearly audible in this show.