An adequate performance with a few genuine highlights. West Bay Invitational has alternate lyrics as in earlier versions performed some months prior to this show, but the song has already been clipped to a slightly shorter length by this point. The Boat Dreams From the Hill is identical to the early 15 Feb. 1992 version. Indictment is introduced as a new song and differs from the studio version in that Blake palm-mutes the riff throughout most of the song; there are also some different lyrics and a poppy guitar line in the middle that was later taken out. Fine Day is played especially slowly, and Blake even comments on the fact after the song's conclusion. Want is the standard modified version from the era (see 15 Feb. 1992). In Sadding Around is a high point in the show and contains the lyric "So I let go, fall without a sound / It's a long way down," which differs somewhat from the studio recording. Afterwards is the first performance that I've heard of the elusive You Can't Afford Me, a song that was known to tape traders as the "angry song" for years. It's in the vein of Parabola, Face Down, and Fantastic Planet - that is, more on the aggressive and discordant side, although it has a quiet, melodic break towards the end. Blake calls the song "the new Driven." At the end of Bivouac, Blake says that the show was the band's last ever.

The recording is an excellent soundboard, and I have a CD-R recorded from a copy of the original DAT; all instruments and vocals are very clear. The volume starts off a bit low but gets a boost early on. Chesterfield King fades in during the first half of the song, as the song is partially cut.