March 20th, 1993 @ 924 Gilman Street, Berkeley, CA
01) Shield Your Eyes
02) The Boat Dreams From the Hill
03) Boxcar
04) West Bay Invitational
05) Fine Day
06) Parabola
07) Do You Still Hate Me?
08) Face Down
09) Outpatient
10) You Can't Afford Me

Audio recording exists, taped from soundboard.

Alex Bender's review of audio recording:

A fine and energetic performance which is notable for the 24 Hour Revenge Therapy songs - by this point, they were nearly complete, but still contained marked differences from the versions that would be recorded for the LP two months later. Blake talks for a few minutes and tells a joke among other things before playing the first song. The Boat Dreams From the Hill has a melodic guitar line (serving as the intro and played throughout the song) that differs from both 1992 versions and the August 1993 studio version. Blake doesn't cut the distortion in the end of Boxcar as in the 24 Hour Revenge Therapy version. West Bay Invitational features a different guitar part over the ending which makes extensive use of harmonics; as with Boat, it's different from both earlier 1992 versions and the later studio version. Parabola is very intense, especially in Blake's vocals; there's a hilarious vocal effect towards the end of the song which is so over-the-top that Blake comments on it, but the funniest part is when some crowd member imitates it. The last song is a rare appearance of You Can't Afford Me. There's a lot of great talk throughout the show by both Blake and the Crowd; for example, Blake tells an amusing story about getting pulled over by a cop, and later, someone in the crowd muses, "How come Blake has a bowl haircut?" Still, the quote of the evening has got to be the following: Blake - "Okay, I'll make my quasi-political statement of the evening." Girl in the crowd near the taper - "Oh God..."

The recording is an excellent soundboard, and I have a CD-R recorded from a copy of the original DAT; all instruments and vocals are very clear, although Blake can be hard to understand when he talks in between songs. There are no cuts, meaning that all the dialogue is intact. re